R&R Cover versions

 Many of the early white rock and roll hits that include or partial-write the previous rhythm and blues and blues. Through the late 1940s and early 1950s, music R & B has earned a high point and the wild style, with artists like Fats Domino and Johnny Otisspeeding ups the tempo and increasing the backbeat of a great popularity on the circuit of juke joint. Prior efforts to Freed and others, black music was taboo in many radio stations owned by whites, but the artists and producers quickly recognized the potential of rock and roll. Most of the hits of the early Presley covers, like "That's All Right" (plebeian composition from a number of blues), on the other side was "Blue Moon of Kentucky", "Baby, Let's Play House, "" Lawdy Miss Clawdy "and" Hound Dog Cover is customary in the music industry at the time, it was very easy with the licensing thecompulsory U.S. copyright law (still valid) A the first successful rock and roll covers was Wynonie Harris's transformation of the Brown "Good Roy. Rocking Tonight "from blues to jump in and hitting rockers Louis Prima rocker" Oh Babe "in 1950, and coverage of Amos Milburn on what could become the first white rock and roll record, Hardrock Gunter" Birmingham Bounce "in 1949 The most important trends. However, the white population covers of black R & B. The sound is more familiarly covers the number may be more appropriate for a white audience, there may be elements of damage, but the label is intended for the white market also has a distribution network is much better and generally well more profitable. famous, Pat Boone recorded songs cleaned version of Little Richard, then. the songs have become popular recording artists play the original "received radio as well.

cover version of imitation certainly not easy. For example, Bill Haley sweetened incomplete cover of "Shake, Rattle and Roll" transformed Big Joe Turner story adult funny and passionate love in a young energetic dance number, [while Georgia Gibbs replaced Etta James tough, sarcastic voice " Roll With Me Henry "(covered by" Dance With Me Henry ") with a perkier vocal more appropriate for an audience familiar with the song this song is a response James, Hank Ballard" work with me, Annie rock "Elvis" and . version roll of "Hound Dog" is very different from this blues shouter Big Mama Thornton recorded