In July 1965, Dylan released the single "Like a Rolling Stone", which peaked at # 2 in the U.S. and No. 4 on the UK charts. In more than six minutes, this song has been widely credited with the changing attitudes of what a pop single could convey. Bruce Springsteen in his speech at the opening of Dylan in the Rock and Roll Hall of Fame said that hearing the first single, "who shot trap like somebody'd kicked open the door to your mind. "In 2004, Rolling Stone Magazine ranked number one in the list of" The 500 greatest songs of all time. "The song also opened the next album Dylan Highway 61 Revisited, titled after the road leading Minnesota to the music of Dylan's nest in New Orleans. The songs in the same vein with the hit single, seasoned by the blues guitarist Mike Bloomfield and Al Kooper organ riffs. " Desolation Row "offers a sound only exception, with an allusion to Dylan's real different figures of Western culture during this epic song, described by Andy Gill as" a child of 11 epic minutes of entropy, which takes the form of a Fellini-esque parade of grotesques and strange room with big iconic character, a little history (Einstein, Nero), some of the Bible (Noah, Cain and Abel), some fiction (Ophelia, Romeo, Cinderella), literary (TS Eliot and Ezra Pound), and some people who fall into any all categories above, especially Dr. Filth and his nurse in doubt. "
In support of the record, Dylan was booked for two U.S. concerts and started a band. Mike Bloomfield was unwilling to leave the Butterfield Band, so Dylan mixed Al Kooper and Harvey Brooks studio crew with bar-band pillars Robbie Robertson and Levon Helm, best known at the time to be part of the band Ronnie support Hawkins, The Hawks (later the band.) August 28 at Forest Hills Tennis Stadium, the group was heckled by the public is still bothered by his electric Dylan. Reception band 3 September at the Hollywood Bowl is more profitable.
While Dylan and the Hawks met an audience more receptive tour, their studio efforts flounder. Dylan producer Bob Johnston persuaded to record in Nashville in February 1966, and surrounded by male executives of high-level session. Dylan's insistence, Robertson and Kooper came down from New York to play in the session. Nashville sessions produced the double album Blonde on Blonde (1966), with what Dylan later called "that thin wild mercury sound" Al Kooper describes the album as "taking two cultures, and destroy them with big bang ". This world of music in Nashville and the world of" classic New York hipster "Bob Dylan.
Dylan touring Australia and the European world in the spring of 1966. Each event is divided into two parts. Dylan performed solo in the first half, accompanying himself on acoustic guitar and harmonica. In the second half, backed by the Hawks, he played a musical high voltage. This contrast provoked many fans, who booed and slow handclapped. The visit culminated in the famous confrontation between Dylan and the raucous audience at the Hotel Manchester Free Trade in England. A recording of this concert has finally been given official release in 1998 on the album The Bootleg Series Vol. 4: Bob Dylan Live 1966. At the climax of the evening, members of the audience, John Cordwell, who was angry against the electric Dylan, shouted: "Judas!" Dylan, who replied, "I do not believe you ... You 're a liar! " Dylan turned to the group and say, "Play fucking loud!" And they launched into the song of the night with enthusiasm: "Like a Rolling Stone."
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