In October 1951, Penniman began recording jump blues records for RCA Camden. His father was shot to death while he was performing at a club on January 12, 1952. In October 1953, he began recording with Peacock Records. Records were released each year from 1951–54, but none were significant hits.
Following two recording sessions with Peacock in 1953, Penniman, dissatisfied with his solo career, began to form a new R&B road band that he called "The Upsetters." The band began with New Orleans drummer Charles "Chuck" Connors and two saxophonists, including Wilbert "Lee Diamond" Smith. By 1955, the band was joined by saxophonists Clifford "Gene" Burks and Grady Gaines, who became its leader, along with Olsie "Baysee" Robinson on bass, and Nathaniel "Buster" Douglas on guitar.
At Lloyd Price's suggestion, Penniman recorded a demo for gospel/R&B label Specialty Records on February 9, 1955. Specialty's owner, Art Rupe, loaned him money to buy out his contract from Peacock Records and placed his career in the hands of Specialty's A&R manRobert "Bumps" Blackwell.
Rupe and Blackwell originally pictured Penniman as a commercial rival to Ray Charles, who was experiencing success with Atlantic Recordsby taking gospel songs and developing them in a bluesy setting with a beat.[34] Penniman told Rupe he liked Fats Domino's sound, so Rupe and Blackwell booked Cosimo Matassa's J & M Recording Studio in New Orleans, and hired studio musicians who had worked with Domino (including Earl Palmer on drums and Lee Allen on sax) rather than members of Penniman's road band on manyof the mid-1950s Specialty tracks.
Following some recording that did not satisfy Blackwell, they took a break. Penniman began pounding out a boogie woogie rhythm on piano and hollering out impromptu recital of "Tutti Frutti", a song he had written and had been performing on stage for years. Blackwell was so impressed with the sound that he had Penniman record the song. However, in order to make it commercially acceptable, Penniman's lyrics were rewritten. Blackwell recognized that the lyrics, with their “minstrel modes and homosexuality humor” needed to be cleaned up. For example “Tutti Frutti, good booty", were replaced with “Tutti Frutti, aw-rooty”. The song featured the a cappella intro "A-wop-bop-a-loo-lop-a-lop-bam-boom!", which Penniman first belted out years before onstage based on a drum beat he heard in his voice, that had also been altered slightly to make it commercially acceptable. The recording was released on Specialty in October 1955.
Little Richard Return to secular music: 1962-1969
Little Richard Return to secular music: 1962-1969
